Media is a content-production machine, and content at volume is where agents excel. We come from entertainment and events, over 250 productions across five years, and we build the repurposing, localization, and community layer that creators and studios need.
Film and video production, publishing, podcasts, music, and the creator economy. Within this space, the engagements below map a real buyer problem to what we build and the capabilities it draws on.
Each card starts with a sentence a buyer would actually say, then lays out the engagement and the capability bays behind it. Cards marked Proven cite work we've delivered; the rest are sample engagements shaped by the same capability.
One long-form video should become shorts, posts, threads, carousels, a blog post, and a newsletter, but doing it by hand is slow and most tools are partial. We build an agent that does it end-to-end, in brand voice, across platforms and languages.
Comments and DMs across platforms are unmanageable manually, and missed messages cost loyalty. We build an agent that reads, classifies, drafts replies, and escalates the ones that need a human, across every channel.
Large events demand coordination across creative, logistics, talent, and on-ground operations. This is core W3TURN work, we have produced over 250 esports and entertainment events, including the Liwa Festival, delivered from concept through execution, and we layer AI through the production pipeline.
Podcasts have many moving parts beyond recording. We build an agent that handles transcription, show notes, chapter markers, social clips, and distribution, replacing a costly production retainer.
Localization at scale is expensive and often tone-deaf. We build agents that translate and culturally adapt content across languages, with the Arabic-dialect and Farsi quality that generic tools miss.
Creators undervalue and mishandle sponsorship deals. We build an agent that qualifies inbound deals, benchmarks pricing, reviews contracts, and tracks deliverables, so the business side keeps pace with the audience.
Every engagement above is assembled from these. The same bays power our work in every other industry, which is why operating capability compounds across markets rather than starting over each time.
Our event and entertainment track record is real and substantial. The product engagements here apply that production capability to media and creator workflows.
Tell us where the hours go. We'll show you which of these we'd build first, and whether you'd own it or we'd run it.